Contracultura alternative arts and social transformation in authoritarian brazil. Contracultura: Alternative Arts and Social Transformation in Authoritarian Brazil by Christopher Dunn 2019-02-07

Contracultura alternative arts and social transformation in authoritarian brazil Rating: 8,7/10 1724 reviews

Contracultura: Alternative Arts and Social Transformation in Authoritarian Brazil by Christopher Dunn

contracultura alternative arts and social transformation in authoritarian brazil

To the leadership, he writes, the implicit aesthetic of all rock, with its emphasis on transgression, physical gratification and liberation, excess and pleasure, ran contrary to the development of a disciplined and self-sacrificing socialist mentality. Roszak likened the counterculture to a Dionysian invasion of the centaurs, disrupting the civilized festivities of Apollo, the guardian of orthodox culture. Dunn reveals previously ignored connections between the countercultureand Brazilian music, literature, film, visual arts, and alternative journalism. As this criticaland expansive book demonstrates, many of the country's social and justicemovements have their origins in the countercultural attitudes, practices, andsensibilities that flourished during the military dictatorship. The only way to resist this state was through a total transcendence of the existing order, what Marcuse called the Great Refusal.

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Christopher Dunn: Contracultura (ePUB)

contracultura alternative arts and social transformation in authoritarian brazil

Critics of the counterculture offer an important corrective to an earlier tendency to interpret the rebellions of the late 1960s and early 1970s solely in terms of resistance and refusal. The 1959 Cuban Revolution provided impetus to armed revolutionary struggle and marked a generational shift away from traditional leftist parties while maintaining the social values and aesthetics associated with previous generations. To understand the Brazilian counterculture, one must take into account the sense of profound disillusionment with the failure of emancipatory projects of national liberation, the rise of a right-wing military regime, and the crushing defeat of the opposition. In some ways, poesia marginal was a kind of literary wing of the Brazilian counterculture. As this critical and expansive book demonstrates, many of the country's social and justice movements have their origins in the countercultural attitudes, practices, and sensibilities that flourished during the military dictatorship. The Brazilian contracultura was a complex and multifaceted phenomenon that developed alongside the ascent of hardline forces within the regime in the Christopher Dunn's history of authoritarian Brazil exposes the inventive cultural production and intense social transformations that emerged during the rule of an iron-fisted military regime during the sixties and seventies.

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Contracultura: Alternative Arts and Social Transformation in Authoritarian Brazil by Christopher Dunn

contracultura alternative arts and social transformation in authoritarian brazil

Distanced from its origins in African American dance music, rock attracted middle-class, predominantly white and male connoisseurs for whom rock was a musical genre for intellectual contemplation and cathartic revelry. Whereas Roszak acknowledged that consumer society took advantage of generational conflict and youthful rebellion to sell products, Frank argued that consumer society actually generated this ethos of dissent. The poem suggests, in this way, a third reading of revolution, as a process of individual liberation at a time when conditions for collective mobilization were limited. ¹³ The civil rights movement of the late 1950s and early 1960s inspired and mobilized middle-class youth, who then went on to radicalize university campuses. Countercultural nonconformity stimulates consumption, as it is ultimately mobilized as a marker of social distinction. The book is a tour de force of both historical and cultural analysis that will push our understandings of counterculture and of its political potential.

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Contracultura

contracultura alternative arts and social transformation in authoritarian brazil

In chronicling desbunde, the Brazilian hippie movement, he shows how the state of Bahia, renowned for its Afro-Brazilian culture, emerged as a countercultural mecca for youth in search of spiritual alternatives. Dissident movements grew in response to the escalation of American involvement in Cold War proxy wars in Vietnam and Cambodia. ² To varying degrees, these young Brazilians identified with and took inspiration from the international counterculture, or contracultura, as it is known in Brazil. The counterculture flourished primarily in the United States, with its strong tradition of individualism, its obsession with youth, and its highly developed culture industry. As this critical and expansive book demonstrates, many of the country's social and justice movements have their origins in the countercultural attitudes, practices, and sensibilities that flourished during the military dictatorship.

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Contracultura : Christopher Dunn (author) : 9781469630014 : Blackwell's

contracultura alternative arts and social transformation in authoritarian brazil

Christopher Dunn's history of authoritarian Brazil exposes the inventivecultural production and intense social transformations that emerged duringthe rule of an iron-fisted military regime during the sixties and seventies. If commodification relativized or undermined some of the more radical claims of the counterculture, it also ensured that it would have an extended reach. At the time, the military regime was implementing legal and constitutional mechanisms for institutionalizing authoritarian rule, while opposition forces, including political leaders, student groups, and. Hannah Dean is a senior majoring in Latin American studies and political science at Tulane University. As this critical and expansive book demonstrates, many of the country's social and justice movements have their origins in the countercultural attitudes, practices, and sensibilities that flourished during the military dictatorship. The E-mail message field is required.

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Christopher Dunn: Contracultura (ePUB)

contracultura alternative arts and social transformation in authoritarian brazil

The Brazilian contracultura was a complex and multifaceted phenomenonthat developed alongside the ascent of hardline forces within the regime inthe late 1960s. The generals who came to power in 1964 recognized the rhetorical power of the word revolution and appropriated it to justify the implementation of a repressive national security state and an economic program of authoritarian modernization. In chronicling desbunde, the Brazilian hippie movement, he shows how thestate of Bahia, renowned for its Afro-Brazilian culture, emerged as a counterculturalmecca for youth in search of spiritual alternatives. Photo provided by Christopher Dunn In his Thursday Nov. It was time, as the poem suggests, to care for oneself and develop empathy for others. His most influential work, One Dimensional Man 1964 , was a critique of modern industrial society in its ability to co-opt dissent and subversion, thereby neutralizing dialectical, or two-dimensional, transformation.

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Contracultura : Christopher Dunn : 9781469628516

contracultura alternative arts and social transformation in authoritarian brazil

The title suggests that the poem is highly personal, as Chacal was, in fact, twenty years old when he published this poem in his first collection, Muito prazer, in 1971. As an activist in the feminist movement, Miccolis wrote the poem as a gendered critique of the left-wing male intellectual, who rails on about the division of labor and grassroots organizing but leaves domestic chores to wives or girlfriends. It should be of enormous interest to scholars of the long Sixties anywhere. The Latin American New Left distinguished itself from traditional, or Old Left, parties and organizations, whether communist or syndicalist, which tended to seek gradual reform while forming cautious broad-front alliances in politics. Young radicals in Europe tended to have stronger ties to left-wing institutions devoted to class struggle through established trade unions.

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Contracultura : Christopher Dunn : 9781469628516

contracultura alternative arts and social transformation in authoritarian brazil

The revolution was, in fact, a catastrophe: Brazil fell under the rule of a right-wing military regime, and he lost his job, along with other prominent intellectuals who were fired from their posts due to their political convictions and activities. The revolutionary government of Cuba denounced rock as frivolous entertainment complicit with U. Focusing on urban, middle-class Brazilians often inspired by the international counterculture that flourished in the United States and parts of western Europe, Dunn shows how new understandings of race, gender, sexuality, and citizenship erupted under even the most oppressive political conditions. About the Publisher For over ninety years, the University of North Carolina Press has earned national and international recognition for quality books and the thoughtful way they are published. Dunn's recurring discussions of the importance of a collective politics of style, his attention to geographic and imagined spaces of countercultural practice, and his analysis of the relationship of the counterculture to a growing consumer culture are especially worth noting.

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Contracultura : alternative arts and social transformation in authoritarian Brazil (eBook, 2016) [rmworthantiques.com]

contracultura alternative arts and social transformation in authoritarian brazil

Countercultural phenomena often flourished simultaneously with armed revolutionary movements, constituting twin facets of what Zolov calls a New Left sensibility. Focusing on urban, middle-class Brazilians often inspired by the international counterculture that flourished in the United States and parts of western Europe, Dunn shows how new understandings of race, gender, sexuality, and citizenship erupted under even the most oppressive political conditions. The long-haired boys identified with an emergent Argentinian hippie movement thereafter came to be known as náufragos, or shipwrecked sailors, who pursued a politics of personal liberation. In referencing style and clothing as markers of the catharsis, Chacal suggests that consumption played a central role in this emergent youth culture. It should be of enormous interest to scholars of the long Sixties anywhere. Those in power were, as Santiago notes, simultaneously optimistic and sad.

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